Naeem Mohaiemen combines films, photography, drawings, and essays to research the many forms of utopia-dystopia (families, borders, architecture, and uprisings)–beginning at Bangladesh’s two postcolonial markers (1947,1971) and then radiating outward to transnational alliances and collisions. Despite underlining a historic tendency toward misrecognition of allies, the hope for a future international left, as an alternative to current polarities of race and religion, is a basis for the work. He is author of Midnight’s Third Child (Nokta, forthcoming) and Prisoners of Shothik Itihash (Kunsthalle Basel, 2014); editor of Chittagong Hill Tracts in the Blind Spot of Bangladesh Nationalism (Drishtipat, 2010); and co-editor with Eszter Szakacs of Solidarity Must be Defended (Tranzit, forthcoming) and with Lorenzo Fusi of System Error: War is a Force that Gives Us Meaning (Sylvana, 2007).

Programming