Fred Moten teaches and conducts research in black studies, performance studies, poetics and critical theory. He is author of consent not to be a single being, In the Break: The Aesthetics of the Black Radical Tradition, Hughson’s Tavern, B. Jenkins, The Feel Trio, The Little Edges, The Service Porch and co-author, with Stefano Harney, of The Undercommons: Fugitive Planning and Black Study and A Poetics of the Undercommons, and, with Wu Tsang, of Who touched me? Moten works in the Department of Performance Studies at the Tisch School of the Arts, New York University.

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