Romy Golan is Professor of twentieth century art at the Graduate Center, City University of New York. She contributed “Realism as International Style” (co-authored with Nikolas Drosos) to Postwar: Art between the Pacific and the Atlantic, 1945-1965. She is the author of Modernity and Nostalgia: Art and Politics in France between the Wars (1995) and Muralnomad: The Paradox of Wall Painting, Europe 1927–1957 (2009) and has worked on exhibitions for museums in the U.S., France, Spain, Israel, and Canada. She is currently completing a book titled Flashbacks and Eclipses in Italian Art of the 1960s

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