Cory Tamler discusses her experience reading an archival copy of Valerie Solanas's SCUM Manifesto, annotated by Solanas herself. In this post, Tamler reads how the act of annotation might be a textual performance of becoming for Solanas—who negotiates the text’s unique publishing history and its consequences for her legacy in both the literal and figurative margins.
Iris Cushing reflects on her experience as part of the Collaborative Research Seminar on Archives and Special Collections, reading The Floating Bear, a bi-monthly, mimeographed newsletter started in 1961 by Diane di Prima and LeRoi Jones. Cushing attends to the material, social, and conceptual conditions under which the newsletter circulated—its "field" and "range—considering the Bear's network of influences, the labor required to produce it, and the artistic freedom afforded by it.
GC PhD student Maya Harakawa reflects on her fellowship co-running the online magazine Triple Canopy's Publication Intensive, a two-week summer program devoted to considering forms of publication that bring together networked forms of production and circulation with the rich legacies of print culture and artistic practices rooted in print.
Jean Carlos Soto reports on the Consciousness & Revolution II conference and three panels dealing with legacies of movement-based education from the nationalist right-wing's influence over India's theological schools in the 1980s to the Portuguese grassroots social movement Plataforma Gueto, the Blank Panthers' Oakland Community School and the "We Will Remember" Survival Group.
A selection of readings for "Intimate Measures: Amy Herzog and Nitin Ahuja" on the refraction of the self through the microbiome, the labor of intimacy in ASMR videos, the work of commodities, and intimate self-management.
"[...] perhaps caring labor does not require literally caring, which would only interfere with efficiency. "
--Amy Herzog, "Star vehicle: labor and corporeal traffic in Under the Skin"
Five Lehman College English Honors program students reflect on discussions from the Activism in Academia conference on topics including the use of literature to foster empathy; diversifying curricula; student experiences of race, religion, and representation in the classroom; and activist pedagogies.
Curator Kaegan Sparks shares suggested readings for the exhibition Soft Skillson questions of reproductive and affective labor, care, ASMR, and gendered and racialized forms of work.
GC PhD students Kaitlin Mondello and Elizabeth Weybright reflect on a series of presentations and performances from “The Vibrating World: Soundscapes and Undersongs” conference, which ranged from considerations of sound and affect to theories on the intersection of disability and modernist music to aural performances of a threatened environment.
GC M.A. student Mette Christiansen reflects on a selection of presentations from the "Public and Publics" conference, which considered various conceptions of the public through a range of lenses including governance and the law, counterpublics and social movements, physical and designed space (and related question of access and exclusion), and art in public.
GC PhD student Christina Katopodis reflects on a selection of presentations from The Vibrating World conference including a silent performance of a scene from the opera Aida, a panel on the politics of sound, a performative lecture on making music with nonhuman lifeforms, and an audiovisual performance that drew on the dual histories of synthesizers and radio.
Alexandra Juhasz and Theodore (ted) Kerr discuss the diverse legacy of AIDS activist video; how this legacy has been used in mainstream representations by white gay men to represent white gay men’s stories; and how the many underrepresented histories of AIDS—particularly the work and experiences of women and people of color—might be accessed, highlighted, and carried on.
Co-director Bess Rowen shares notes on the rehearsal process of Marco Millions, an adaptation of a Eugene O'Neill play, in which six CUNY undergraduate and graduate students and faculty each translated parts of the play into other languages, experiences, and vernaculars.
Student reflections on an event commemorating the 50th anniversary of Souffles-Anfas the influential Moroccan journal of poetry, culture, and politics.
A conversation between Janet Werther and Jordan Lord about Werther's research on the work and life of John Bernd, legacies of caring labor in the wake of the AIDS crisis, and archival work as a kind of caregiving.
Catherine Engh provides an analysis of two books read as part of the Ecocriticism seminar, David Collings' Stolen Future, Broken Present: The Human Significance of Climate Change and Jedediah Purdy's After Nature.
Selected readings for Gregory Rabassa (1922-2016), A Celebration, including tributes to his work and his essay, "If This Be Treason: Translation and Its Possibilities."
Jordan Lord reflects on the panel "Breaking Into History: AIDS, the Archive, and the Fight Against the Canonization of an Ongoing Epidemic" from the Queer Circuits in Archival Times conference.